Monday, October 5, 2009

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SURPRISE, SURPRISE, SURPRISE!

THE FIVE YEARS THAT CHANGED THE SATIRE


is in a gloomy atmosphere, surrounded by fakes, hesitation, and dall'affievolirsi mythologies of the struggle that many Italians had united with very different ideological identity, during the sixties, born Evil . This is the most sensational satirical magazine, the most absolute freedom of expression, without limitation or insurmountable, but most of the more scandalous, revolutionary and provocative editorial expertise developed since there is freedom of the press in Italy.
was 1978, when Zac Pino (born Giuseppe Zaccaria) and his friends sitting at a table in a Roman trattoria, founded Evil. Initially it was just an interesting, but naive comic satire against the "regime" and called himself a "radical" and "anti-clerical." Since the publication of the fourth number on the drawing was conducted by Vincino and the newspaper became a new, daring and marked by a ferocity previously unknown in the history of satire of all time, reaction also caused by the simultaneous explosion of the "Moro case."
were part of the editorial cartoonists like Anges, Enzo Sferra, Jacopo For (son of Darius), Vauro Senesi, Cinzia Leone and Andrew Patience, the most striking example, a true comic genius of art, given the Raphael of the magazine, there were also the chart Recoil Francis, the writer Angelo Pasquini and many others.
by the authors, the writing of the paper was considered a game, which could also get money, but with the main and important function of giving rein to the imagination and to show that press freedom is an element of democratic growth and development social. The week was marked by
stories, interviews or true-false-, from comics and cartoons, literary quotations and parodies. He met with a "system" rotten, filled with injustice and who acted as sovereign in an Italy now discouraged, resigned to crime and indifference of the politicians. Nothing and no one could say the shelter of the vitriolic satire of the magazine and sooner or later everyone would have fallen under the dark: there was, in fact, a political party that was treated better than the other, the opponent was the system as a complex and not spared even the authors themselves, taking great irony is that insulting each other.
The editors were all very brave enough to stand up, for example, against the Red Brigades during the "leaden years", the Islamic regimes such as Khomeini or Qaddafi's terrorist like that, and bear the weight of dozens of complaints for contempt, dissemination of obscene or offensive to foreign head of state (the Pope).
The element that united, strengthened and raised the weekly was the fact that all fighting for the same cause and this explains the astonishing arrogance towards the state.
addition, the weekly was the result of synergies and partnerships and you have not made the mistake in the drafting of closing, anyone who had an idea he knew there was a place where being able to tell.
One of the greatest inventions of the satirical magazine was the imitation several times the front pages of newspapers, with titles idiotic but unlikely, can not drop a lot of deception. Jokes of evil began to ridicule those newspapers that on some issues creating aurocensuravano the restriction of the circulation of news. Among the most famous
mockery of Evil that was conceived with the shocking news that the head of the Red Brigades was Ugo Tognazzi, with the main purpose of a press report that can make anyone a terrorist. It was published a false Giornale di Sicilia, where the mayor of Palermo Vito Ciancimino confessed accomplices and instigators of the recent crimes of the mafia, but in reality this had never happened. A fake number in the Republic came out with the title "The state has become extinct" during the funeral of Aldo Moro and another that says "Ten grams of drug free" (containing a packet of pepper). In the Villa Borghese, however, was placed a marble bust Giulio Andreotti, who was to be awarded the black humor, which was immediately seized. During this occasion, Roberto Benigni was also reported that he had made the opening address at the Prize.
In March 1982 it was published in the latest edition of Evil (perhaps due to economic problems), with which it was buried for ever one of the greatest satirical newspapers capable of grasping all the nuances and told that characterized the period in which it is existed.
But despite this, the wording and the rest of the people who participated in the production of these true works of art has been able to fully meet its objectives in these five years hard work: namely, to laugh, to fight for what you believe, inform and surprise, surprise, surprise.
Earley Epiphany (January 2009) A classic
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