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From the '70s to the new millennium, we are looking to the future: RockROCKrOCK Palazzo Adriano


writes Rolling Stone Magazine talking about the three famous days of the 1969 peace , love & music at Woodstock: "Too many years have passed, and memories (as they were old Polaroid) have faded, taking new colors, which have nothing to do with then."
is a bit ' what we mean by referring to the music scene Palazzese, which has its roots in the past 70 years, years during which splinters were torn sounds frantic and aggressive voice.
It was 1972 and the Palazzo Adriano on the last edition of the race of the complexes.
In a small company like ours, such an event gave the opportunity for many music groups in the district to meet and places them in the Hall of the immortal "Rock Palazzese.
The Race of the complexes was organized by the engineer and extravagant Philip Cavallaro in collaboration with the doctor Argurio Horizon Club and sponsored by the now declined; for grabs were 150 thousand liras, which would have been brought home by those who had passed the pit of lions.
latest edition of the festival took part in several groups: Members of Chiusa Sclafani, the Black Eagles of Bisacquino, the beasts of Prizzi Castelvetrano and asteroids, a group with more power and one of the most famous in that period.
To do honor to our country but the Nuggets were a young Palazzese training supported by two musicians of Chiusa Sclafani, which would be performed on stage wearing "country" of Nicholas of Bari
Components the band were: thirteen year old keyboardist Francesca Granato's brother Calogero on guitar, Lillo Canzoneri under manhole covers and Mario Liberto and Goofy Cicchirillo, drummer and bassist, respectively.
The jury was composed of elements instead Palazzesi ... and perhaps it was this final collapse of the cause!
After all the performances the jury's verdict was positive for our countrymen, that really does not really deserve to win and this had aroused strong reactions from those who had the win.
But what happened? Because the pills they had received the most votes, despite not deserve to pocket the prize?
Each member of the jury, thinking that nobody would have voted for the band Palazzese had expressed a positive opinion in favor of the latter, and since everyone had followed the same logic in judging the various musical groups, the result was been an undeserved victory.
Because of this humiliating incident it was decided that it was no longer the need to organize these events and the 1972 is thereby blocked the rise of events to background music in Palazzo Adriano.
But as they say, "hope is the last to die!" ...
Well, yeah ... right! It is the proof of what is happening instead of two years now.
It is the second year which is taken the old idea, which seemed to have sublimated, to join other bands and give a chance to perform in our charming square.
During last summer, the first festival of rock groups have participated, in addition to local bands, including various groups from surrounding villages.
This year, it was decided to make something more "homemade" and they were six groups involved in the second edition of the Rock Rally. "
The protagonists of this second survey were: the well known band "Kalibra" which delighted the public square with its pop-rock sound, the new training Hermanos, mostly acoustic folk rhythms, the Apeiron, the component of which is mostly female, apparently gospel that immediately refreshes us with the Irish rock par excellence, the Rioter Daimons, a bolt from the blue condensate stoner and progressive, the G263, whose training that brings together musicians of different ages can well blend in the classic rock tunes and charmed by the voice and the Gothic Angela Cavallaro Deep Nino Riggio, and finally the Sound Slaughter, who gave vent to their impulses "metal" and allowed their leader Nicola Sabella to cheer the many spectators.
Even if progress is to characterize our society, it is not so bad to have a little back 'nostalgia for the past, so you can discern what is positive and there was treasure it to draw new inspiration and new ideas for future use.
As Pamela Des Barres says, it's nice to be part of that is the secret of cosmic music, rock, and approach to this world so much that you can touch. Therefore, hopeful in promoting many similar events, we do enjoy the glittering beauty of the sounds, scream that cry that has always praised the Rock'n'Roll: YEAH!

Earley Epiphany (September 2009)

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SEE THE BIRTH OF THE TOWN OF YOUNG AS SYMBOL OF A NEW AWAKENING.

In September 2008, following various accessions of young people aged 16 to 32 years, comes the Hall of the Young Look. It is intended as a permanent meeting place between young people, groups of young people and the municipal authority. The values \u200b\u200bto which they are based: respect individual, the promotion of civic awareness inspired by the principles of legality and solidarity, the common will to pursue instances Palazzesi. "(Art. 1 of the Rules Look of the Municipal Youth)
Look At entrusted with the Youth ' important task of representing, in the administrative institutions, the problems of youth, but also of their views and proposals.
is an impartial body, which has no political color, whose main goal is to create conditions so that young people can best achieve their inalienable right to the fun (as a group that requirement to biological, to get together and do something with someone) and culture.
The condition for the intellectual growth, for the formulation of ideas, proposals, and for the implementation and promotion of socio-cultural initiatives is precisely that state of mental well-being that being in a group can provide.
is taking place a real cataclysm that has shaken the young Palazzese actually never really asleep, but lacking that extra something that might make them more active and take part in the life of their country.
This may be comparable to the great revolution that broke the path traced by well-meaning, and drawings from the constraints imposed conformist society after World War II, known as the Beat movement.
The Beat Generation, tired, beaten, convinced that it did not hope to leave something to the contemporary world but is able to emerge, radically changing the lives, the same way to make poetry and with a greater reflection on human values \u200b\u200band the collective consciousness.
Something was happening So, something strange, uncertain, alarming, and yet alive, able to destroy every scheme and every angular geometry of everyday life.
That same something that has led to the Consulta Municipal Youth, which is just one of the most striking manifestations of their awakening, that not only involve the same components, led to a closer interest by the Municipality against the reality of youth in the country.
may be hazardous or exaggerated comparison between the Beat Generation and the reality of youth Palazzese, but I do not think this is so, because we in our small, we can be advocates of a revolution that trace out all that the mind contains.
Now the ball is passed to us young people have an opportunity too good to miss, so we must make our voices and interests of all that concerns us so close to be protagonists of our ideas and our choices, allowing the emergence of our potential importance for the continued development of our country. Epiphany
Lo Presti (July 30, 2009 "The Road of the Artists," First exit Communis)

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Satire: analysis of a muse infected

"Satire, who was she?" He told Don Abbondio ne'-I-betrothed, from the bottom of his culture, a culture with small c.
no coincidence that I took one of the most famous jokes Manzoni "Carneades, who was he?" to testify prevailing ignorance of our age, of credulity that drags into oblivion and unconsciousness.
Because of its hybrid nature, its not a genre with well-established boundaries, is often difficult to give an unambiguous definition of satire, especially when taking into account the fact that it can be annoying, and you tend to demonize. From
Zingarelli Italian dictionary of the language we read the following definition: "a poem wittily criticizing human weaknesses, all satirical poems of an author, a period of a literature discussion, writing, and the like that attitude has more or less explicitly intended to ridicule environments, concepts, ways of living and the like. "
From this simple definition we conclude that, besides indicating a work of literature, the concept expands to include even the salacious joke wittily.
Although it underscored the critical judgments of satire, highlighted the sharpness and not simply the act of mock or make fun of, but rather the set of subtlety, intelligence, irony, allusion and humor, the meaning is still a bit 'vague. If we want to be more precise, can help the definition that gave the Supreme Court: "[satire] is the manifestation of thought at times of very high level in the time he took on the task of" Chastise laughing mores "or to indicate the public about questionable or reprehensible aspects of people, in order to get through the rice generated, a final outcome of ethical, that is, corrective to the good. "(First Criminal Chamber of the Court of Cassation, Judgement n.9246/2006) The question is increasingly what its scope, the mode of expression, if the satire may be half of "information" or whether it should only make you laugh, but especially if it must have limits or we should impose red lines.
In this regard I call satire a muse infected, just to distinguish it from the other nine figures of Greek and Roman mythology. They represented the highest ideal of art and each acting in a given field. The satire is another muse than the sublime, is an art which has no precise location in a genre, which also deals with dirt and shallow, though in its own way is a form of poetry. Thanks to the emotional impact that causes the satire, is capable of stirring the conscience and is the oldest form of expression of critical thinking, which is used for social purposes and to reduce impact of demythologizing exaggerated manifestations of the dominant power. He was born to express the negativity of a state, behavior or mentality, and it must be distinguished from the "teasing", which is a mere mockery of physical defects of a particular speech or clumsy behavior. Dario says that it must be sharp and should enter into the merits of human affairs. The Satire is such only if it combines the comic critique of humanity, but that should not be construed as the means to fake moderates, who better to conduct their private affairs, political or economic, would reduce it to barzelletta.La satire was carried on continuously throughout history, often repressed and persecuted by a succession of illiberal regimes, and dictatorial obtuse, confused with defamation. If defamation is defined as the attempt to harm a person attributing faults and defects exist, the meaning dellasatira is diametrically opposed.
The key feature of satire should always be to criticize what is wrong: the policy can and should be one of its arguments, because of its importance, it governs the country, affects the economy and society in a profound way, then a fortiori an activity must be flawless and harshly criticized otherwise.
Even today there are those who must separate from information clearly satire. The politicians, either through ignorance or bad faith or for both reasons, they say one thing to satirize, is one thing to tell: what very true, if not then you do not pretend that the satire is not even a pinch of politics and current events, without 'topical satire does not exist. And to the question "What can the satire? And what limits do you have? " For to answer is the same, saying that it can do anything, has no limit. The only limits are those which makes the actor, but not to stop, or shame and so on, rather than a consequence of rhythm, timing and trends of the show. Unfortunately, today a satire so accusatory no longer seems to exist: the power is well shielded behind the complaints ol'anatema threat of excommunication, and satirists have well-concealed feathers. The satire has gone through all our history, that both our east Tota, nowadays more and more becomes silent! Epiphany
Lo Presti (May 2009)

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THE FIVE YEARS THAT CHANGED THE SATIRE

is in a gloomy atmosphere, surrounded by fakes, hesitation, and dall'affievolirsi mythologies of the struggle that many Italians had united with very different ideological identity, during the sixties, born Evil . This is the most sensational satirical magazine, the most absolute freedom of expression, without limitation or insurmountable, but most of the more scandalous, revolutionary and provocative editorial expertise developed since there is freedom of the press in Italy.
was 1978, when Zac Pino (born Giuseppe Zaccaria) and his friends sitting at a table in a Roman trattoria, founded Evil. Initially it was just an interesting, but naive comic satire against the "regime" and called himself a "radical" and "anti-clerical." Since the publication of the fourth number on the drawing was conducted by Vincino and the newspaper became a new, daring and marked by a ferocity previously unknown in the history of satire of all time, reaction also caused by the simultaneous explosion of the "Moro case."
were part of the editorial cartoonists like Anges, Enzo Sferra, Jacopo For (son of Darius), Vauro Senesi, Cinzia Leone and Andrew Patience, the most striking example, a true comic genius of art, given the Raphael of the magazine, there were also the chart Recoil Francis, the writer Angelo Pasquini and many others.
by the authors, the writing of the paper was considered a game, which could also get money, but with the main and important function of giving rein to the imagination and to show that press freedom is an element of democratic growth and development social. The week was marked by
stories, interviews or true-false-, from comics and cartoons, literary quotations and parodies. He met with a "system" rotten, filled with injustice and who acted as sovereign in an Italy now discouraged, resigned to crime and indifference of the politicians. Nothing and no one could say the shelter of the vitriolic satire of the magazine and sooner or later everyone would have fallen under the dark: there was, in fact, a political party that was treated better than the other, the opponent was the system as a complex and not spared even the authors themselves, taking great irony is that insulting each other.
The editors were all very brave enough to stand up, for example, against the Red Brigades during the "leaden years", the Islamic regimes such as Khomeini or Qaddafi's terrorist like that, and bear the weight of dozens of complaints for contempt, dissemination of obscene or offensive to foreign head of state (the Pope).
The element that united, strengthened and raised the weekly was the fact that all fighting for the same cause and this explains the astonishing arrogance towards the state.
addition, the weekly was the result of synergies and partnerships and you have not made the mistake in the drafting of closing, anyone who had an idea he knew there was a place where being able to tell.
One of the greatest inventions of the satirical magazine was the imitation several times the front pages of newspapers, with titles idiotic but unlikely, can not drop a lot of deception. Jokes of evil began to ridicule those newspapers that on some issues creating aurocensuravano the restriction of the circulation of news. Among the most famous
mockery of Evil that was conceived with the shocking news that the head of the Red Brigades was Ugo Tognazzi, with the main purpose of a press report that can make anyone a terrorist. It was published a false Giornale di Sicilia, where the mayor of Palermo Vito Ciancimino confessed accomplices and instigators of the recent crimes of the mafia, but in reality this had never happened. A fake number in the Republic came out with the title "The state has become extinct" during the funeral of Aldo Moro and another that says "Ten grams of drug free" (containing a packet of pepper). In the Villa Borghese, however, was placed a marble bust Giulio Andreotti, who was to be awarded the black humor, which was immediately seized. During this occasion, Roberto Benigni was also reported that he had made the opening address at the Prize.
In March 1982 it was published in the latest edition of Evil (perhaps due to economic problems), with which it was buried for ever one of the greatest satirical newspapers capable of grasping all the nuances and told that characterized the period in which it is existed.
But despite this, the wording and the rest of the people who participated in the production of these true works of art has been able to fully meet its objectives in these five years hard work: namely, to laugh, to fight for what you believe, inform and surprise, surprise, surprise.
Earley Epiphany (January 2009) A classic
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